CANTO 4: Arriving to talk to the noble pagan poets in Limbo.
CANTO 7: Rolling of boulders by the hoarders and spendthrifts.
CANTO 10: Heretics and sceptics burning in tombs.
CANTO 13: The committers of suicide turning into trees and being tortured.
CANTO 16: Dante exchanges news of Florence with his compatriots.
CANTO 19: Dishonest clergy are buried with their feet on fire.
CANTO 22: Ciampolo being tormented while talking to Dante.
CANTO 25: Cacus, the centaur, attacks a blasphemous sinner.
CANTO 28: The punishment of heretics.
CANTO 31: The giant Antaeus brings the pair into Hell.
CANTO 34: The poets leave Hell by climbing Lucifer's body.
CANTO 5: Francesca and Paolo and the punishment of the lustful.
CANTO 8: Crossing of the river Styx.
CANTO 11: Getting accustomed to the stench as the poets descend deeper into Hell.
CANTO 6: Calming of the watchdog Cerberus, surrounded by the gluttonous.
CANTO 9: Angel unlocking the door to the city of Dis.
CANTO 12: Centaurs punishing violent sinners.
CANTO 14: The statue in Crete with the tears that create all the rivers.
CANTO 17: Geryon, the symbol of Fraud, takes Dante and Virgil lower into Hell.
CANTO 20: Sorcerers and soothsayers walk with their heads on backwards.
CANTO 23: Hypocrites walking slowly with their clothes lined with lead.
CANTO 15: The punishment of the sodomites in burning sands.
CANTO 18: Flatterers and seducers are stuck in tar.
CANTO 21: Dante and Virgil escorted by devils.
CANTO 24: Thieves continually merge with reptiles and then disintegrate.
CANTO 26: Ulysses in the form of a flame explains how he died.
CANTO 27: A black demon takes a soul away from St. Francis.
CANTO 29: The falsifiers scratch off their scabs.
CANTO 32: The traitors frozen in ice.
CANTO 30: Virgil becomes angry with Dante who listens to the vulgar gossip.
CANTO 33: A devil controlling Branca d'Oria's body in the world.
Audio commentary provided by
Dr. Sebastian Mahfood
Dr. Sebastian Mahfood, OP, is a retired Professor of Interdisciplinary Studies at Holy Apostles College & Seminary in Cromwell, CT. He first studied the Divine Comedy under Dr. Simone Turbeville in the spring of 1991 at the University of Texas in Arlington and began teaching it as literature half a decade later at Texas Christian University in Ft. Worth. It wasn’t until he began studying philosophy and theology at Holy Apostles College & Seminary in Cromwell, CT, however, that he began to see within the Comedy the care Dante took in a very Marian framework to map himself onto the works of Aristotle and St. Thomas among the other philosophers and poets he meets in Limbo and the theologians and Church doctors he meets in Paradise. Dr. Mahfood was prepared by Dante, who was himself a Lay Franciscan, to become a lay member of the Dominican order, which considers study to be an act of prayer.
See https://www.enroutebooksandmedia.com/narrativespirituality for more.